Fallings
(work-in-progress) ca. 30 minutes
A chamber music theater work for soprano, clarinet, violin, cello, piano, and pre-recorded sound
See Stage Works






Incontrovertible Counterpoint (work-in-progress)
ca. 8 minutes
See Band






Trio de Janeiro
(1998) ca. 15 minutes
Trio for flute, cello, piano/synthesizer

Commission: the New Jersey Chamber Music Society and Seton Hall University Arts Council.

First Performance: April 21, 1998, Seton Hall University, South Orange, NJ, the New Jersey Chamber Music Society (Peggy Schechter, flute, Wayne Smith, cello, Kathy Supove, piano/synthesizer).






Extreme Measures
(1997) 14 minutes
Piano Trio (violin, cello, prepared piano)

First Performance: February 15, 1998, Kathryn Bache Miller Theatre, New York City. Marka Gustavsson, violin; Susannah Chapman, cello; Evelyne Luest, piano.

Instrumentation: violin, cello, prepared piano
NB: the score includes complete details for the simple piano preparation.






Elastic Band
(1996, revised 2004) 15 minutes
Sextet for clarinet, string quartet, and percussion

First Performance: Complete work – June 1, 2004, New York Chamber Music Ensemble (Alan Kay, conductor), Cape May Music Festival. Movement 1 - March 8, 1996, Speculum Musicae (William Purvis, conductor), Kathryn Bache Miller Theatre, New York City. Movement 3 - February 6, 2000, Eberli Ensemble/MATA, Anthology Film Archives, New York City (Paul Hostetter, conductor).

Award: Selected for reading by Speculum Musicae, April 25, 1994. Instrumentation: Clarinet, 2 violins, viola, cello, and percussion* * mar, vib, BD, 3 tom-t (high tom may be SD), 3 cyms (hi-hat, crash, ride),WB,crot






Pas de Deux
(1994, revised 2001) 23 minutes
Cello and piano

Commission: Pamela and Stephen Dillon.

Private First Performance: May 14, 1994, New York City. Semyon Fridman, cello; Allison Voth, piano.

Concert First Performance: February 26, 1995, Kathryn Bache Miller Theatre, New York City. Maria Kitsopoulos, cello; Allison Voth, piano. Recording: Fred Sherry, cello; Stephen Gosling, piano (Label TBA).






Two by Two
(1994) 1:20 minutes
Two fanfares for two trumpets (or trombones)

Composed for: Carl Albach of the Orchestra of St. Luke's.

Concert First Performance: February 18, 1994, Kathryn Bache Miller Theatre, New York City. Chris Gekker and David Krauss, trumpets. Additional Performance (Fanfare No. 1 only): August 1991, Orchestra of St. Luke's pre-concert, Caramoor Music Festival.






Quicksilver
(1994) 3:30 minutes
Solo flute and pre-recorded sound (DAT or CD)

First Performance: April 26, 1994, A Concert of Music in Tribute to Mario Davidovsky, Kathryn Bache Miller Theatre, New York City. Margaret Lancaster, flute.

Award: Society of Composers, Inc., Region IV Conference, Ohio University, Athens, Ohio, October 20, 1995. Sherri Crosby, flute.

NB: DAT or CD of pre-recorded sound is available upon request from the composer.






Stew!
(1991-2) ca. 20 minutes
Educational music theater work that blends world cultures, food, and music Woodwind quintet plus student and teacher performers
See Young Performers / Young Audiences






Slow Dance and Quick March
(1990) 8 minutes
Arrangements for contrabassoon and piano of two movements from Harold Laudenslager's Little Suite for orchestra (Op. 23).

Commission: Laudenslager Music Productions.

First Performance: Clarion State College, PA, September 10, 1990, Susan L. Nigro (contrabassoon).

Recording: Susan Nigro, contrabassoon; Mark Lindeblad, piano (Crystal Records, CD348).






Flauto Oscuro
(1984, revised 1991) 7 minutes
For solo flute (or alto flute)

First Performance: December 1984, Boston University Composers' Forum concert series, Marianne Gedigian, flute. First Performance (revised version): 1991, St. John's in the Village, New York City, Margaret Lancaster, flute.






One Evening's Poems - A Song Cycle
(1983, Revised 1987) 14 minutes
A song cycle for soprano, tenor, and chamber orchestra (settings of Chinese poems in English translation)
See Orchestral






Echoes of Fanfares. . .
(1986) 5 minutes
Brass Quintet

First Performance: July, 1986, the Atlantic Brass Quintet Underground Composers concert series, Cambridge Adult Education Center, Cambridge MA. NB: Echoes of Fanfares is a spatial work. For optimal acoustical effect the quintet should be dispersed throughout the hall or, better yet, in a balcony (see score for suggested placement).






Boyar's Polonaise
(1984) 4 minutes
For Brass Quintet
See Young Audiences / Young Performers

Americus

Crystal Records

Jay/Ter