Front Page | Joel Friedman
I’m pleased to collaborate once more with my favorite writers/directors/master puppeteers at Evolve Puppets NYC on our new hybrid multi-media piece They Were Called Tress as part of this year’s LaMama’s Jumpstart Workshop. It’s a great start to a beautiful, dark, slightly twisted, and poignant piece about our petroleum & plasticized world bereft of all that is green from the climate change cataclysm and the social unrest that results. The score incorporates the avant-garde, techno-rock, and even a bit of epic James Bond. Really? Yeah. So watch this space for further developments. You can listen to cues HERE.
If you know Percy & Heathcliff, it was inevitable that our two African parrots would become multimedia stars featured in Johanna Siegmann’s glorious new book In Good COMPANY (Notable People with their Pets), available at all your favorite bookstores, and Tracie Hotchner’s delightful and informative podcast series Exotic Pets™ “An African Gray Keeps The Baby At Bay” (Ep. 221) available on all your favorite podcast platforms (Apple, Spotify, Amazon, Audible).
And I have a request: please watch DREAM (it’s just 4 minutes long) and share it WIDELY. I would like it to make a constructive difference for our upcoming midterm elections on November 8th. Democracy and freedom – and all that follows – are on the ballot. We need to “sing that out” loud and clear, and art can help. Thank you. — Joel Phillip Friedman (composer/lyricist). Special thanks for the talents of Alex Gallows (voice) and Scott Thureen (video).
This project was supported by the DC Commission on the Arts and Humanities.
Those three forces of nature, otherwise known as ModernMedieval – founder Jacqueline Horner-Kwiatek, Martha Cluver, and Eliza Bagg – did two more superb performances of their Words of Love and Wisdom program, including my badass Hildegarde piece From: All Things Are Set Ablaze, as part of the Electric Earth Concerts, Keene, NH. and then at the spectacular Fuentidueña Chapel at The Met Cloisters. And Classical Voice North America loved the program too! Click here for the review. I don’t mind “While it was certainly raucous and exciting – the trio played a tambourine, a small mallet-hit hand drum, and a triangle as they sang – the piece was far from furious. In fact, it was so much fun that Horner-Kwiatek’s final triangle ting earned a chuckle from the audience.”
I had a great time last week at Shenandoah Conservatory in beautiful Winchester, Virginia. A *very* full visit with friends conductor Tim Robblee and composer extraordinaire Jonathan Newman and the the faculty and students. I taught composition lessons, gave a masterclass, had rehearsal, and heard my Elastic Band (Octet version) performed at the über-hip Bright Box Theater in downtown Winchester. Thank you Jonathan and Tim!
I’m very pleased that the Acis album be•spoke has been submitted to the GRAMMYs for consideration. There is so much great work by Elena Ruehr, Julian Wachner, Alejandro Hernandez-Valdez, Marcus Thompson, the New Orchestra of Washington, Kevin Bourassa, and others on the CD.
I’m thrilled to announce that I’ve been selected by the District of Columbia Commission on the Arts and Humanities for an 2018 Arts and Humanities Fellowship (AHFP) for my upcoming projects! I’d like to thank Arthur Espinoza, Jr., Executive Director of the CAH, their hard working staff and panel for their support. Onwards and upwards!
I am thrilled that violist extraordinaire Andrew Gonzalez (and pianist Ji, Yekwon Sunwoo) has received this positively glowing review in this October’s The Strad Magazine for his Bargemusic recital this past July. Bruce Hodges also had kind things to say about my “fierce little viola piece” When the World Disintegrates Before Your Eyes as well. Mark Peskanov, Bargemusic Artistic & Executive Director is doing great things there! Want to read the complete review? Want to peruse the score? Click here!
Sunday night, fresh off a terrific pair of performances of Elastic Band at Georgetown’s Gonda Theatre and AMP/Strathmore, the New Orchestra of Washington, conducted by Alejandro Hernandez-Valdez, hit Omega Studios with producer Geoffrey Silver of Acis Productions at the helm. Great session, can’t wait to hear the final product! (photo: Christian Amonson)
- Friday October 2, 7:30 PM at Georgetown University’s Davis Performing Arts Center/Gonda Theatre
- Saturday October 3, 8 PM at the new, hip AMP Strathmore space in Bethesda
- October 1: a free, Open Rehearsal at Georgetown University from 2-5 PM in Gonda